Rev. J.M. Gates - Complete Recorded Works In Chronological Order Vol. 6: 1928-29
Track Listing:
Bank That Never Fails, A
Building That Never Gives Way, A
Sure-Enough Soldier, A
Somebody's Been Stealin' - (take ?)
Somebody's Been Stealin' - (take 3)
Kidnapping - (take 1)
Kidnapping - (take 2)
Do It Yourself
Tiger Flowers' Last Night
Ball Game Of Life, The
Who Shall Deliver Me From The Body Of This Death?
Eagle Stirs Her Nest, The
California Kidnapping, The
Things That You Can Move Don't Ask God To Move
Since Jesus Came Into My Heart
Woe Be Unto You Liars
Stop For The Red Light
Pay Your Furniture Man
Rattlesnake Coils Before He Strikes, The
Deacon Board Meeting (Part 1)
Deacon Board Meeting (Part 2)
Women Spend Too Much Money
Why Don't You Live So God Can Use You Anytime
Twanged
Regan Reilly plans to spend her Fourth of July week vacationing in the Hamptons at her parents' home and also with her best friend, Kit, who has a share in a group house. A last-minute phone call, however, casts Regan's trip in a new light. Brigid O'Neill, a rising country star, has been getting frightening love notes and she hires Regan as her bodyguard for a Fourth of July concert in Southampton. Brigid plans to play a fiddle given to her in Ireland and said to have magic powers. She later learns the rest of its legend - whoever takes it out of Ireland will have an accident or face death. Brigid and her band are invited to stay at Chappy Tinka's oceanfront compound. Tinka, heir to a thumbtack fortune, and Bettina, his ditzy wife, are social climbers trying to get on the Hamptons A list. At Chappy's castle, Regan encounters a cast of characters including Chappy's bumbling sidekick and accomplice, Duke; Bettina's live-in guru, Peace Man; and a feng shui specialist obsessed with rearranging...
Twanged 
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The Artificial White Man
In this penetrating collection of original essays, legendary gadfly and esteemed critic Stanley Crouch tackles the notion on authenticity-what it is, what it isn`t, and what we make of it, for good or for bad. While the question of who`s the real deal and who isn`t has now seeped into nearly every corner of American culture, nowhere does the idea of authenticity hold greater sway than in the realm of ethnicity. In this bracing collection of original essays, Crouch brings all his rhetorical skills to bear on this animating-and polarizing-idea, and investigates the motives behind those who present themselves as authentic, those who claim to expose the inauthentic, and what this all tells us about the state of the arts-from the vaulted halls of literary fiction to the arena of soft drink-shilling pop stars-in America today.
For Crouch, this is not simply an academic exercise, but a summation of our peculiar historical moment. Living in a time in which much of the conventions that...
The Artificial White Man
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